Additive color or the primaries are the first step to understanding light and how it reacts when reflected. Subtractive color is created when white light is reflected off a pigmented surface and I found it interesting that it is variations of these colors that are used in mass production printing. I found the color interaction section helpful in talking about how colors influence each other. I think this has relevence to modern field paintings. I did not know that this effect was called simultaneous contrast and that cones in our eyes can only regestier one complementary color at a time. It is mind blowing that the hue or wavelength of a color determines what it actually is identifed as and that the value refers to the color minus the color. Luckilly I could relate to most of the discussion regarding value and tint in painting because I have been reading Hawthorne: A book on painting which talks a lot about color. I also found split complementary ver intriguing and the example of Francis Bacon's bluegreen and red orange self-portraits as an example. Although I had already known of symbolic color, I found the expressive color section more important because the same color with a differenet value makes a big difference in a painting.
I found some really colorful Jasper Johns field paintings. Check it out!
Monday, February 18, 2008
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